American filmmakers in the 1950s, New York, were concerned with realism and a truthful deception of American society during the time, the first American new wave. The second new wave known as New Hollywood in the late 60s brought a new set of values representing the counter-culture and aesthetics of the French new wave. During the late 60s and early 70s, there was a new generation of filmmakers whose work was complex, innovative and morally ambiguous. They spoke for a generation disillusioned by the Vietnam War.
the new hollywood new wave of cinema sprouted in the late 1960s for a variety of reasons. for one, the academic study film became more popular than ever. the distribution of international films from auteurs like Truffaut and the french new wave simply fed their inspiration. it was also a response to a perceived staleness in hollywood's studio films that dominated the marketplace for decades.
new hollywood is a film movement that took place in the united states from roughly 1967-1976. the movement was led by a group of film students with a passion for filmmaking and the desire to challenge the stagnant status quo. also known as the hollywood new wave, these filmmakers often worked within the studio system but brought an independent and radical perspective to mainstream filmmaking.
bonnie and clyde (1967) jaws (1975) taxi driver (1976)
arthur penn steven spielberg martin scorsese
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